Showing posts with label Censor Board. Show all posts
Showing posts with label Censor Board. Show all posts

Friday 6 January 2012

Greeting 'Tashi Delek' in Mumbai

On November 12 last year, 25 people congregated in a Bandra flat to prepare and eat momo. This delicacy was the magnet that drew about 20 Tibetans living in Mumbai to come together and chatter in the language of their homeland – greeting each other with 'tashi delek'. The news of 11 monks immolating themselves in the Kirti Monastery in the Ngaba region of eastern Tibet seemed like a news from a distant land. Only, this was news about their own people.

This momo party was the only time when Tenzin Choedhar (26) saw so many Tibetans in Mumbai come together, in the 5 years that she has been living and working in the city. “Tibetan students in Delhi have the time and space to raise the issue of Tibet. Moreover, they are mostly living together as a community in the refugee camp. But Mumbai is the launchpad for our careers. There is a feeling of helplessness about our identity. But we aren't able to do much and hence have no other option but to move on with our own lives,” says Choedhar, who grew up in Delhi, far from the Tibetan refugee camp. She works at a MNC that does business in China and Taiwan. “I never engage in any political discussions with my colleagues, because I am not too clear of what I have to say.”

The story is a little different for Tenzin Methok, who had been accompanying her father to Mumbai every winter, selling sweaters in Parel. Raised at a boarding in Ooty, Methok came to Mumbai for her graduate studies. “People assumed I was from Nepal or Manipur. When I would correct them, they would have many questions about I was not living in my own country. I did not have clear answers myself, until I met Kallianpur jii,” says the petite girl, who now works with a HR firm in Powai.

Fifty-eight-year old CA Kallianpur has kept alive Friends of Tibet (FoT) since 2003 from his home in Bandra – the site for the momo party. An avid reader of military history, he prepares packages of articles on understanding Tibet better. These are posted to people, whose addresses he might have come across through lay visiting cards. “Most Mumbaikars do not know where Tibet is. After explaining the Geography, I tell people that Tibet's case for independence is clear under international law,” says Kallianpur. His residence has become the arrival lounge for Tibetans who wish to shape their career in Mumbai.

Bhutanese Kelly Dorji came to Mumbai to further his studies, and became a ramp model and actor. In 2008, he was invited by his aunt to join her in praying for Tibetans at a rally in Mumbai, during the Beijing Olympics. Dorji's grandmother and several other relatives are from Tibet. "I felt honoured when I was asked to say a few words to the large gathering there, which comprised mostly exiled Tibetan monks. I stood in prayer on Indian soil as a guest, praying for the people of Tibet. But I think Mumbai had the same reaction as most of India – after a fleeting glimpse, the page was turned to the latest scores in cricket!"

But 'career' no more means becoming a waiter or hairdresser. “Today, you will find many Tibetans taking up significant roles in large companies. They are well-educated, and have developed the confidence of doing much more than making the traditional noodles,” says Tibetan writer and activist Tenzin Tsundue, who lived in Mumbai for five years. He was one of the founding members of FoT in Mumbai in 1998, which organised a seven-day cultural Festival of Tibet in March 2000, across several venues in the city. It was in Mumbai where Tsundue nurtured his talent as a writer and poet, under the guidance of several noted poets of the time.

The momo party was Tsundue's idea. He knew that the Tibetans in Mumbai ought to be woven into a community. That was also the week when the Bollywood film 'Rockstar' was to be released. The Tibetans were thankful to filmmaker Imtiaz Ali for talking about Tibet and freedom, through a song. However, the Indian Censor Board dashed their hopes when it asked the filmmaker to blur 'Tibet' during a scene that carried a banner of 'Free Tibet'. Tsundue met the Board but brought back no happy results. The previous week, on November 4, 25-year-old Sherab Tsedor had set himself on fire outside the Chinese Embassy in New Delhi, in solidarity with the 11 monks who had immolated themselves. Alert cops managed to rush him to a hospital. Today, Tsedor updates his progress in healing on Facebook.

“Facebook is one of the best mediums for us in Mumbai to stay connected,” said Dolkar Tenzin. She created the 'Tibetan Mumbaikars' community page on Facebook, and updates it with news and events pertaining to Tibet. A few non-Tibetans are also part of this small online group of 72. Methok, on the other hand, says that she has become synonymous with being the contact person for any Tibetan who wants to step foot in Mumbai. “Some days, I have to bunk work to be at the programmes organised for Tibet. It was easier when I was a student at St Xavier's College,” she says.

The girls are joined by Pasang Tashi (25) who is hoping to take up a more active role in organising events and demonstrations. Pasang was separated from his parents at the age of three, when he was brought to live and study in Dharamsala. He completed his graduate studies in Bangalore and came to Mumbai in 2010. “I do not miss my family as I did not develop any bond with them. China did not allow me to know my family. Now, I can only try to get more people to know about us and stand by us in our freedom movement. We cannot lose committed people to self-immolations, which is a desperate step. The Kirti monastery has become an extreme prison, with no food or water being supplied to the devout monks inside,” Pasang explains.

Ask him if he remembers anything of his early years in Tibet, and he says, “My only memory of Tibet are the mountains, the grass all around, and our house which was a tent. All of that feels like a dream, as though I never lived it.” Much like the nomadic lifestyle of the resident Tibetans, and the ones in exile, Pasang lives in the office of the production house where he works.

Remembering those who self-immolated themselves for a free Tibet, for a better tomorrow -- at McLeod Ganj, Dharamsala, November 2011.  © Nitesh Mohanty

Monday 30 August 2010

'Maoists are not terrorists'


Once upon a time, there was a king who oppressed his subjects. A century and another king later, nothing changed. One young peasant decided to oppose the king's tyranny, but was killed by the king's men. The onlooking angry subjects began an armed revolt. Several decades of toil and oppression finally kicked off the throne. Democracy set in, and the people lived happily ever after. Almost.

This incomplete fairytale is that of Nepal, and portraying its colourful history since the time of Prithvi Narain Shah's rule in 1770, is Anand Swaroop Verma's documentary film Flames Of The Snow. The film depicts the chain of events and circumstances that led to the people's movement under the leadership of the Communist Party of Nepal (Maoist). What's interesting is that unlike the gory images of ideological violence in our country that pepper the news channels' prime time, this film details the ideological basis of the revolution. It also includes an interview of Maoist supremo Prachanda, describing the genesis of the armed movement in 1996. As Verma puts it, "The revolution was under threat as there was enough international funding to douse the fire. There was only a distorted image of the struggle. Being a journalist who had covered the revolution since its inception in the 90s, I knew that there was a different truth which had to be shown to the world." Until last year, Verma was writing for the Hindi daily Jansatta.

Verma's book Rongpa Se Dolpa Tak was one of the first voices of the movement — it documented the genesis of the movement in Rongpa, and how it evolved by the time it reached Dolpa. Understandably, his name was not new for Nepalese households and the crew got access to shoot in the thickest jungles infested by Maoists.

Wouldn't it have been simpler for a filmmaker rather than a journalist to make this film? Director and editor Ashish Shrivastava presents a contemporary analogy: "The media sporadically gives us statistics about the growing number of farmer suicides, but does not delve deeper into the reasons. Verma was clear in his head about the reasons why the Maoist revolution had such a strong support base among the working class in Nepal. In fact, when we went there to shoot, everyone from the waiter to the hotel's bellboy was a Maoist. The essence of the film is the ideology, and not the violence." Both Verma and Shrivastava are sure that they may not be able to make a similar film about the current Red revolution in India.

It was at Shrivastava's behest that Verma scripted the film. Not surprisingly, interviews with historians and activists dot the 125-minute movie. But as Shrivastava puts it, "Not a single scene is longer that four seconds at a stretch. I was sure about Verma's thorough groundwork. My only concern was the narrative. The film had to look interesting. After all, we were dealing with a very interesting subject. And certain events have been dramatised." A unique feature of the revolution, which has been captured in the film, is that women comprised 40 per cent of Maoist cadres.

Filmed over a period of three years, Flames Of The Snow was banned by the Indian Censor Board in June this year.

Their reason? "Any justification or romanticisation of the Maoist ideology of extremism or of violence, coercion, intimidation in achieving its objectives would not be in the public interest, particularly keeping in view the recent Maoist violence in some parts of the country." Eventually, the ban was lifted last month by a Revising Committee of the Censor Board, without any deletions, but with a disclaimer added that the substance of the film had been compiled from various media publications.

Ironically, a scene from the film showing the burning of Israeli and American flags by Palestinians was deleted during its screening in Nepal, as the Nepal government's foreign policy is to maintain good relations with all nations.

The big question: Will Flames Of The Snow impact the revolution in India? "The Nepalese had to fight the monarchy. Indian Maoists are fighting the illegal grabbing of natural resources by MNCs. But it is tough to talk about the influence of the Nepal experiment in India," says Verma, choosing his words carefully. He knows that the film will be watched in India widely —if not among the masses, then surely among the IB, which keeps a tab on every person who may utter the 'red' word. Till then, Verma is confident that he will be able to reply to any query from any audience which has been taught to believe that Maoists are terrorists.

Flames Of The Snow will be screened on Aug 30 at Prithvi 
House at 6 pm and on Sept 1 at TISS (old campus) at 6.15 pm